THANKSGIVING PROGRAM

 

Synopsis

 

Thanksgiving, Christmas, and the New Year’s Eve are (or should be, we wish) our three most cherished family occasions...So, naturally, in this special holiday season, what could ever possibly go right for the Appletree family?

​Young Gabriel is so in love he could die – but is his love returned? What if it isn’t? Do his parents love each other anymore?  Will his mother ever sing again, or his father ever write? What will come of his sister’s passion for a “bad boy” – and how will Grandma cope with so much change? Although... is real change even likely, or will we keep making the same mistakes our parents and their parents and parents’ parents made, if we aren’t careful?

​With touching music, and witty, thoughtful repartee, Thanksgiving explores the hopes and the patterns of three clashing generations, each in their own ways experiencing love and the changes of age, as they pass through the crucible of our most beloved holidays.

Venue

 

ALUMNAE THEATRE
70 Berkeley Street, Third Floor
Toronto, Ontario

OCTOBER 14, 2024
RECEPTION AT 7:00 P.M.
PERFORMANCE AT 7:30 P.M.

Cast & Creative Team

Thanksgiving is a musical play written by Julian Henry Lowenfeld. The reading will be directed by Yonder Window’s Artistic Director, Katie McHugh.
Music Direction by James Higgins. Casting by Roxedge Talent Casting. Katie Fitz-Gerald is the Stage Manager for the reading.

Julian Henry Lowenfeld
Playwright

Katie McHugh
Director

James Higgins
Music Director

Katie Fitz-Gerald
Stage Manager

 

Aly MacFarlane

Aleksandra Kimaeva

Ryan Desaulnier*

 
 

Chris Johnson

Madeline Brennan

Autumn-Joy Dames*

 

A PERSONAL NOTE FROM THE AUTHOR

 

All characters and events in this story are fictional; any perceived resemblance to any persons living or dead is unintended and coincidental.  As Evelyn Waugh prefaced his Brideshead Revisited: “I am not I, thou art not he or she, they are not they.”

Even such details in this work perhaps derived from the paucity of my own experience are quite unrecognizably altered for artistic reasons.  “The purpose of playing...both at the first and now, was, and is, to hold, as ‘t’were, the mirror up to nature.” (Hamlet III,ii). Yet that  mirror, paradoxically enough, must distort in order to be accurate, for drama is the cruelest art, drawing even its harmony from dissonance and dysfunction, from conflict and problems.

I trust everyone will understand, even as I share Pushkin’s fearful hope:

May not some ever-mocking reader
Or publisher and eager feeder
Of most deliberate calumnies
Think here to spot my qualities,
And not proclaim, incorrigible,
That I my portrait scribbled here,
Like Byron, bard of pride, most dear,
As though it were impossible
To write a poem on anything
Except about oneself to sing!    Eugene Onegin, 1, LVI, 5-14 (Lowenfeld translation).

My very happiest childhood memories are the many, many times my parents and grandparents took me to the theatre and the opera, or read aloud or sang to me, sharing the greatest stories and the most beautiful music and poetry in the world.

It is with heartfelt reverence, gratitude, and love that I dedicate this play to the blessed memories of my grandparents Henry and Yela Lowenfeld, and my parents Andreas and Elena Lowenfeld.

I also cannot thank enough two of the finest people I have ever been blessed to know: my devoted friend and teacher, the brilliant pianist and composer, Luiz Paulo Bello Simas, and my beloved Nadyezhda Semyonovna Braginskaya, of blessed memory, a profound and demanding teacher of poetry and drama, and my nurturing and devoted second mother.”

Thanks and love to all, and thanks to you tonight for coming!